Alpine Valley Music Theatre
East Troy, WI
- The Landlady,3:27
- Runaway Jim >7:01
- Divided Sky,14:27
- 46 Days >10:16
- Stealing Time From the Faulty Plan,6:19
- Sugar Shack,Bustout · 64-show gap6:07
- Shade,4:38
- Halfway to the Moon,6:33
- Everything's Right12:38
- Energy >Cover · The Apples in Stereo11:14
- Gotta Jibboo¹ >Unfinished10:27
- Soul Planet >10:40
- Rift,6:12
- Reba²,Unfinished12:32
- Martian Monster³ >Alt LyricAlt RigTease3:51
- Broken Heart Attack⁴ >DebutAlt RigCover · Jerry Reed💎 Rare · 1 play ever2:19
- Hold Your Head Up ->Cover · Argent0:50
- Martian Monster⁵,Alt Rig💬 Banter2:22
- Possum⁶ >TeaseAlt Rig9:14
- Slave to the Traffic LightJamcharts10:31
- Waste,5:19
- First Tube7:10
¹ Unfinished.
² No whistling.
³ Trey whistled in the intro and later joined Fish on drums.
⁴ Phish debut.
⁵ Trey on drums and Fish on Marimba Lumina.
⁶ Fish played the drums with one drumstick with the other in the air in the intro.
“TREY: Moses Brown, Moses Heaps! Broken Heart Attack! His trip is short!”
Gotta Jibboo was unfinished. Reba did not contain the whistling ending. Trey whistled in the intro to the first Martian Monster and eventually joined Fish on drums. The Phish debut of Broken Heart Attack featured Fish on vacuum. The second Martian Monster featured Trey on drums, Fish on Marimba Lumina, and a David Bowie intro tease from Trey while on drums. The Possum intro featured Fish playing the drums with one hand with his other drumstick in the air and Trey quoting Broken Heart Attack.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- Divided Sky · Set 114:27
- Everything's Right · Set 112:38
- Reba · Set 212:32
- Energy · Set 211:14
- Soul Planet · Set 210:40
- Slave to the Traffic Light · Set 210:31
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’895
- ’90–’943
- ’95–’003
- 2.0 (’02–’04)1
- 3.0 (’09–’20)8
- 4.0 (’21–)1
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Not in the song file yet4
- Covers3
- Farmhouse2
- No studio album2
- Billy Breathes1
- Chilling, Thrilling Sounds...1
- +8 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation1
- 3–53
- 6–159
- 16–507
- 51+ · bustout1
Originals vs covers
Whose songbook tonight drew from.
- Phish original18
- Argent1
- Jerry Reed1
- The Apples in Stereo1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Anastasio / Marshall5
- Anastasio + friends4
- Not in the song file yet4
- Anastasio solo3
- Cover3
- Full band1
- +1 more
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- Without Marshall9
- With Tom Marshall5
6 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.