Bill Graham Civic Auditorium
San Francisco, CA
- Stealing Time From the Faulty Plan,
- The Moma Dance >
- We Are the Champions >Cover · Queen💎 Rare · 1 play ever
- The Moma Dance >
- Free,
- Back on the Train,
- Yarmouth Road,
- Strange Design >
- Taste,
- The Wedge,
- The Line,
- Wolfman's Brother¹
- First Tube >7:30
- Down with Disease² >Unfinished13:15
- Theme from the Bottom >6:59
- Split Open and Melt,10:58
- Heavy Things >5:04
- Light ->14:25
- Possum9:16
- Contact,Tease7:18
- Meatstick >5:07
- Character Zero5:44
¹ .
² Unfinished
The We Are the Champions Jam was performed Immediately following the San Francisco Giants winning game seven of the World Series. Yarmouth also included a We Are the Champions tease from Trey. Following a "let's go Giants" chant after The Wedge, Page congratulated the Giants, adding that he watched the whole series. Trey told the crowd that Page was a Mets fan and that Page watches every Mets game streamed on his phone with many of them on the organ while the band's playing. Page said "we can't be world champions all the time" with Fish adding "or ever." Trey then introduced The Line in honor of the losers in sports. Disease was unfinished. Trey quoted All About That Bass in Contact.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- Light · Set 214:25
- Down with Disease · Set 213:15
- Split Open and Melt · Set 210:58
- Possum · Set 29:16
- First Tube · Set 27:30
- Contact · Encore7:18
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’893
- ’90–’943
- ’95–’0010
- 3.0 (’09–’20)5
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Billy Breathes4
- No studio album4
- Farmhouse3
- Not in the song file yet3
- Joy2
- Covers1
- +4 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation1
- 3–59
- 6–1510
- 16–501
Originals vs covers
Whose songbook tonight drew from.
- Phish original20
- Queen1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Anastasio / Marshall9
- Full band3
- Not in the song file yet3
- Anastasio + friends1
- Anastasio solo1
- Cover1
- +1 more
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- With Tom Marshall12
- Without Marshall5
4 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.