Verizon Wireless Amphitheatre at Encore Park
Alpharetta, GA
- Paul and Silas >Bustout · 88-show gapCover · Josh White2:23
- Back on the Train,6:54
- Foam,Jamcharts8:54
- Water in the Sky,3:16
- Runaway Jim,8:58
- Army of One,4:40
- Roses Are Free >Cover · Ween5:06
- Timber (Jerry the Mule) >JamchartsCover · Josh White and Sam Gary6:42
- Mound¹Weather💬 Banter4:38
- Mound² >Unfinished💬 Banter4:21
- Tweezer³ >Alt Lyric9:40
- Julius >Jamcharts9:31
- Slave to the Traffic Light,10:54
- David Bowie,11:40
- Suzy Greenberg >6:38
- Gotta Jibboo >Jamcharts9:24
- Harry Hood >11:27
- Character Zero,8:58
- The Birdwatcher ->A Cappella💎 Rare · 4 plays ever2:29
- Kung⁴A Cappella1:42
- Funky Bitch >TeaseCover · Son Seals5:51
- Tweezer Reprise3:48
¹ Unfinished; song (and set) had to be stopped mid-stream due to a strong incoming thunderstorm.
² Started mid-song after the rain delay (set break).
³ Lyrics changed to reference the weather.
⁴ A cappella.
“TREY: That was [garbled]. Anyway, this is Brian Brown, my guitar tech for many many many years. There would be no guitar without Brian so as long as Brian has to come out and put the rain gear on, can we have a hand for him …”
Mound was unfinished and the set had to be stopped mid-stream due to a strong incoming thunderstorm. Prior to leaving the stage, Trey introduced his guitar tech, Brian Brown. Trey also repeatedly said "Storm" several times and then, apparently referring to a sign that a fan was holding, said "we will play that song but not tonight because we don't know it. And that's the honest truth. One of these days." To open set two, Mound was started mid-song, more or less where the band had left off to close set one. Tweezer's lyrics were changed to reference the weather. Funky Bitch contained Birdwatcher teases. Kung was performed a cappella.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- David Bowie · Set 211:40
- Harry Hood · Set 211:27
- Slave to the Traffic Light · Set 210:54
- Tweezer · Set 29:40
- Julius · Set 29:31
- Gotta Jibboo · Set 29:24
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’898
- ’90–’946
- ’95–’005
- 2.0 (’02–’04)1
- 3.0 (’09–’20)1
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Covers4
- No studio album4
- A Picture of Nectar2
- Farmhouse2
- Junta2
- Not in the song file yet2
- +5 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation2
- 3–56
- 6–158
- 16–504
- 51+ · bustout1
Originals vs covers
Whose songbook tonight drew from.
- Phish original17
- Josh White1
- Josh White and Sam Gary1
- Son Seals1
- Ween1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Anastasio / Marshall5
- Cover4
- Anastasio + friends3
- Full band3
- Anastasio solo2
- Gordon2
- +1 more
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- Without Marshall10
- With Tom Marshall5
4 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.