John Paul Jones Arena
Charlottesville, VA
- AC/DC Bag >
- Chalk Dust Torture,
- Stealing Time From the Faulty Plan,
- Divided Sky,
- Ya Mar¹,Cover · Cyril Ferguson
- Sneakin' Sally Thru the Alley,Cover · Lee Dorsey
- The Old Home Place >Bustout · 63-show gapCover · The Dillards
- Cavern >
- Funky Bitch,Cover · Son Seals
- David Bowie,
- The Wedge,
- Bold As LoveCover · Jimi Hendrix Experience
- Tweezer ->11:13
- Light >Alt Lyric13:30
- Piper ->8:16
- Free,6:56
- Sweet Virginia,Cover · The Rolling Stones💎 Rare · 5 plays ever4:59
- Harry Hood >12:34
- Suzy Greenberg >6:03
- Golgi Apparatus,4:27
- Run Like an Antelope¹Alt Lyric💬 Banter10:10
- Loving Cup >Cover · The Rolling Stones6:26
- Tweezer Reprise4:03
¹ Alternate lyrics referencing a naked stage crasher.
“TREY: Mike's gonna make up now for the bass that he missed in Golgi (garbled)”
At the start of Ya Mar, a naked guy jumped onstage and ran around for a bit before being rounded up by security, prompting Trey to observe that "Naked Guy's" antics "took a lot of balls." During Ya Mar, Mike changed the lyrics to "he was a naked pa." Trey sang the verses to Light out of order. The sound for Mike's bass dropped out during Golgi leading Trey to label it the "trio version." During the ensuing Antelope, Mike took a bass solo to make up for the bass everyone missed in Golgi. Antelope also contained several lyric changes referencing the naked stage crasher.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- Light · Set 213:30
- Harry Hood · Set 212:34
- Tweezer · Set 211:13
- Run Like an Antelope · Set 210:10
- Piper · Set 28:16
- Free · Set 26:56
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’8911
- ’90–’947
- ’95–’003
- 3.0 (’09–’20)2
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Covers7
- A Picture of Nectar4
- Junta3
- Joy2
- No studio album2
- Billy Breathes1
- +4 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation3
- 3–512
- 6–154
- 16–503
- 51+ · bustout1
Originals vs covers
Whose songbook tonight drew from.
- Phish original16
- The Rolling Stones2
- Lee Dorsey1
- Son Seals1
- The Jimi Hendrix Experience1
- The Mustangs1
- +1 more
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Cover7
- Anastasio / Marshall6
- Anastasio + friends4
- Full band3
- Anastasio solo2
- Not in the song file yet1
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- With Tom Marshall9
- Without Marshall6
3 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.