Alpine Valley Music Theatre
East Troy, WI
- Brother,
- Wolfman's Brother,
- Funky Bitch >Cover · Son Seals
- Divided Sky,
- Joy,
- Back on the Train,
- Taste,
- Poor Heart,
- The Horse >
- Silent in the Morning,
- The Man Who Stepped Into Yesterday >Bustout · 64-show gap
- Avenu Malkenu >Bustout · 64-show gapCover · Traditional
- The Man Who Stepped Into Yesterday,
- Time Turns Elastic
- Crosseyed and Painless ->JamchartsTeaseCover · Talking Heads14:45
- Down with Disease¹ >TeaseUnfinished13:08
- Bug >8:04
- Piper >JamchartsTease12:49
- Wading in the Velvet Sea,5:21
- Boogie On Reggae Woman,Cover · Stevie Wonder5:57
- Slave to the Traffic Light11:52
- Grind,A CappellaAlt Lyric2:30
- Frankenstein²Alt RigCover · The Edgar Winter Group5:24
¹ Unfinished.
² Page on the keytar and Trey on a five-neck guitar.
During Brother, each of the band members’ children jumped into a bathtub placed at the side of the stage. Afterwards, Trey introduced them and wished everyone a happy Fathers’ Day. Funky Bitch was played in acknowledgement of a fan who had been holding up a sign requesting the song at this show and the previous one. Crosseyed and Painless included a brief, subtle tease from Page of the Grateful Dead’s Let It Grow. Trey teased Taste near the end of Disease, which was unfinished. Piper contained a brief Can’t You Hear Me Knocking tease. Frankenstein featured Page on the keytar and Trey on a five-neck guitar.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- Crosseyed and Painless · Set 214:45
- Down with Disease · Set 213:08
- Piper · Set 212:49
- Slave to the Traffic Light · Set 211:52
- Bug · Set 28:04
- Boogie On Reggae Woman · Set 25:57
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’898
- ’90–’945
- ’95–’007
- 3.0 (’09–’20)2
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Covers5
- Not in the song file yet5
- Farmhouse3
- Rift2
- Billy Breathes1
- Hoist1
- +5 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 3–510
- 6–157
- 16–503
- 51+ · bustout2
Originals vs covers
Whose songbook tonight drew from.
- Phish original17
- Mary Shelley1
- Son Seals1
- Stevie Wonder1
- Talking Heads1
- Traditional1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Anastasio / Marshall8
- Cover5
- Not in the song file yet5
- Anastasio solo2
- Anastasio + friends1
- Full band1
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- With Tom Marshall9
- Without Marshall3
5 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.