Newport State Airport
Coventry, VT
- Walls of the Cave >Jamcharts15:23
- Runaway Jim ->Jamcharts12:23
- Gotta Jibboo,Jamcharts15:19
- You Enjoy Myself >19:57
- Sample in a Jar >4:34
- Axilla >3:30
- Poor Heart >2:22
- Run Like an Antelope¹,JamchartsGuest13:30
- FireCover · Jimi Hendrix Experience8:00
- AC/DC Bag ->Jamcharts20:16
- 46 Days >3:52
- Halley's Comet ->Tease8:50
- Ya Mar,Cover · Cyril Ferguson6:59
- David Bowie,Jamcharts💬 Banter17:39
- Character Zero9:09
- Twist ->Jamcharts16:39
- The Wedge,5:27
- Stash >Jamcharts20:40
- Free,Jamcharts9:56
- Guyute,15:37
- Drowned >JamchartsCover · The Who26:08
- Friday7:24
- Harry Hood²21:01
¹ Tom Marshall on vocals.
² With Trey banter. At the end of Hood, the band stopped playing allowing the audience to sing the "You can feel good, good, good about Hood" refrain.
This was the first show of the Coventry festival and was simulcast in movie theaters nationwide. During YEM, the band gave away their trampolines. Throughout the duration of the set, groups of fans held the trampolines above their heads, and some fans jumped on the trampolines as well. Tom Marshall sang the lyrics to Antelope. Trey teased Waves in Halley's Comet. Before Bowie, Trey told a story of the summer he spent living in a cabin in the Northeast Kingdom where he remembered writing several songs, including Bowie. Trey explained that Bowie was an attempt to see “how far can you push it in the harmonic and rhythmic language and still have people dancing.” During Hood, Trey (speaking in rhythm) noted that because there were a row of rocks separating the band from the crowd, they were feeling a certain level of disconnect (particularly when Mike plays a "sexy" note). To remedy the situation, Trey and Mike ventured down onto the rocks for the duration of the song. At the end of Hood, the band stopped playing, allowing the audience to sing the “You can feel good, good, good about Hood” refrain.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- Drowned · Set 326:08
- Harry Hood · Encore21:01
- Stash · Set 320:40
- AC/DC Bag · Set 220:16
- You Enjoy Myself · Set 119:57
- David Bowie · Set 217:39
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’899
- ’90–’946
- ’95–’005
- 2.0 (’02–’04)3
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Not in the song file yet4
- Covers3
- No studio album3
- Billy Breathes2
- Farmhouse2
- Junta2
- +6 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation3
- 3–59
- 6–159
- 16–502
Originals vs covers
Whose songbook tonight drew from.
- Phish original20
- The Jimi Hendrix Experience1
- The Mustangs1
- The Who1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Anastasio / Marshall10
- Not in the song file yet4
- Anastasio solo3
- Cover3
- Anastasio + friends2
- Full band1
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- With Tom Marshall11
- Without Marshall5
4 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.