Greensboro Coliseum
Greensboro, NC
- Chalk Dust Torture,Tease9:04
- The Moma Dance,9:50
- Foam,Jamcharts11:04
- Lawn Boy,3:02
- Character Zero >7:36
- Divided Sky,17:48
- Mountains in the Mist,7:23
- Waves >9:15
- Sample in a Jar5:57
- Rock and Roll >Cover · The Velvet Underground11:39
- Wilson >5:41
- Piper >JamchartsTease17:02
- Also Sprach Zarathustra >Cover · Strauss, as interpreted by Deodato8:00
- Wolfman's Brother ->8:34
- Boogie On Reggae Woman,Cover · Stevie Wonder5:55
- Wading in the Velvet Sea >7:41
- Run Like an Antelope,14:14
- CarolinaA CappellaBustout · 146-show gapCover · Traditional1:28
- First Tube >8:34
- You Enjoy Myself ->TeaseJamcharts17:46
- Proud Mary¹JamchartsA CappellaBustout · 1376-show gapCover · Creedence Clearwater Revival💎 Rare · 2 plays ever6:51
¹ a cappella.
Trey teased San-Ho-Zay in Chalk Dust. Instead of emerging from behind the piano with his own microphone for Lawn Boy, Page came front stage and used Trey’s microphone and stand. The move prompted a raucous response from the crowd. Trey teased Oye Como Va and Another One Bites the Dust during YEM. Carolina was played for the first time since November 18, 1998 (146 shows). The YEM vocal jam included a Daniel Saw the Stone tease. Proud Mary was performed a cappella (including renderings of the musical breaks) to conclude the vocal jam. Only one other version of Proud Mary is known – a full-band version at the first ever Phish show on December 2, 1983 (1,379 shows).
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- Divided Sky · Set 117:48
- You Enjoy Myself · Encore17:46
- Piper · Set 217:02
- Run Like an Antelope · Set 214:14
- Rock and Roll · Set 211:39
- Foam · Set 111:04
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’898
- ’90–’945
- ’95–’007
- 2.0 (’02–’04)1
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Covers5
- Junta3
- Farmhouse2
- Not in the song file yet2
- The Story of the Ghost2
- A Picture of Nectar1
- +6 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation3
- 3–56
- 6–159
- 16–501
- 51+ · bustout2
Originals vs covers
Whose songbook tonight drew from.
- Phish original16
- Creedence Clearwater Revival1
- Eumir Deodato1
- Stevie Wonder1
- The Velvet Underground1
- Traditional1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Anastasio / Marshall6
- Cover5
- Anastasio + friends3
- Anastasio solo3
- Not in the song file yet2
- Full band1
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- With Tom Marshall9
- Without Marshall5
4 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.