Roseland Ballroom
New York, NY
- AC/DC Bag,SBD8:57
- Wilson,SBD7:06
- First Tube,SBD8:39
- Ya Mar¹ >SBDJamchartsCover · Cyril Ferguson16:05
- Mike's Song >SBD7:02
- Simple >SBD8:24
- It's Ice,Bustout · 86-show gapSBD9:08
- When the Circus Comes,SBDCover · Los Lobos5:26
- Back on the Train,SBD5:46
- Gotta Jibboo,SBD10:46
- Taste,SBDJamcharts10:19
- Sleeping MonkeySBD5:44
- Punch You in the Eye,SBD8:37
- Twist,SBD10:38
- Waste,SBD7:09
- Piper,SBD8:52
- You Enjoy Myself,SBD19:36
- Run Like an Antelope,SBD13:24
- Train Song,SBD3:12
- BugSBD9:27
- Boogie On Reggae Woman >SBDCover · Stevie Wonder5:38
- CavernSBD6:14
¹ Began in the key of G before switching to its normal key of A for an extended jam at Trey’s on-stage request.
This show was taped for VH-1’s Hard Rock Live and was first broadcast on July 1, 2000. The show was announced only a week before the gig took place. Non-transferable wristbands for entry were sold at the venue box office the morning before the show, with a limit of one per person. Ya Mar began in the key of G before switching to its normal key of A for an extended jam at Trey’s on-stage request. During the soundcheck of this show, Driver and Ginseng were played multiple times, and there was a jam on Led Zeppelin’s Dancing Days before Long Cool Woman.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- You Enjoy Myself · Set 219:36
- Ya Mar · Set 116:05
- Run Like an Antelope · Set 213:24
- Gotta Jibboo · Set 110:46
- Twist · Set 210:38
- Taste · Set 110:19
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’898
- ’90–’944
- ’95–’0010
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Farmhouse6
- Not in the song file yet5
- Covers3
- Billy Breathes2
- No studio album2
- A Picture of Nectar1
- +3 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation6
- 6–1514
- 16–501
- 51+ · bustout1
Originals vs covers
Whose songbook tonight drew from.
- Phish original19
- Bert Jansch1
- Stevie Wonder1
- The Mustangs1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Anastasio / Marshall6
- Not in the song file yet5
- Anastasio + friends4
- Cover3
- Anastasio solo2
- Full band1
- +1 more
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- With Tom Marshall10
- Without Marshall4
5 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.