SWF3 Studios
Baden-Baden, Baden-Württemberg, Germany
- Talk,
- Camel Walk,Bustout · 140-show gap
- Llama,
- Waste,
- Train Song,
- My Friend, My Friend,
- Harry Hood >
- Walfredo,💎 Rare · 7 plays ever
- My Soul >Cover · Clifton Chenier
- Goodbye Jam¹
- Tube >
- Carini,
- Rock A William,💎 Rare · 5 plays ever
- Dog Log,Bustout · 90-show gap
- While My Guitar Gently WeepsBustout · 90-show gapCover · The Beatles
- Buried Alive >SBD2:38
- Poor Heart >SBD2:22
- Ha Ha Ha² >SBDJamcharts3:33
- You Enjoy Myself ->SBDJamchartsTease25:10
- Kung ->SBD2:11
- Theme from the Bottom >SBDTease9:23
- Scent of a Mule >SBDJamcharts6:31
- Jam ->SBDTease4:28
- Magilla >SBDJamchartsBustout · 261-show gap1:12
- Scent of a Mule,SBDJamcharts2:57
- Slave to the Traffic LightSBD12:06
- Highway to HellSBDCover · AC/DC3:47
¹ Goodbye Jam
² Heavy metal outro.
This was an in-studio set before the Stuttgart show that evening. Between Talk and Waste, Trey noodled around to the tune of Michael Jackson’s Don’t Stop Till You Get Enough. The DJ played Michael’s version in its entirety after Waste. The Billy Breathes album versions of Free and Billy Breathes were also played during the broadcast.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- You Enjoy Myself · Set 225:10
- Slave to the Traffic Light · Set 212:06
- Theme from the Bottom · Set 29:23
- Scent of a Mule · Set 26:31
- Jam · Set 24:28
- Highway to Hell · Encore3:47
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’899
- ’90–’947
- ’95–’009
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Not in the song file yet9
- No studio album7
- Covers3
- Billy Breathes2
- A Picture of Nectar1
- Hoist1
- +3 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation8
- 3–53
- 6–156
- 16–505
- 51+ · bustout4
Originals vs covers
Whose songbook tonight drew from.
- Phish original22
- AC/DC1
- Clifton Chenier1
- The Beatles1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Not in the song file yet9
- Anastasio solo3
- Cover3
- Full band3
- Anastasio / Marshall2
- Gordon2
- +2 more
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- Without Marshall11
- With Tom Marshall3
10 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.