Great Woods Center for the Performing Arts
Mansfield, MA
- AC/DC Bag >8:59
- Scent of a Mule,10:49
- Horn,3:39
- Taste,7:15
- The Wedge,4:25
- The Lizards,10:45
- Mound,5:58
- Fee¹ ->Alt Rig5:23
- Run Like an Antelope²Alt Lyric13:02
- Also Sprach Zarathustra >Cover · Strauss, as interpreted by Deodato3:36
- Possum >Tease13:48
- Ha Ha Ha >1:36
- The Man Who Stepped Into Yesterday >4:12
- Avenu Malkenu >Cover · Traditional3:10
- Mike's Song >Jamcharts17:38
- Contact >6:00
- Weekapaug Groove,TeaseJamcharts14:12
- Amazing Grace,A CappellaCover · Traditional1:53
- The Squirming Coil💬 Banter11:56
- Hold Your Head Up >Cover · Argent
- Cracklin' Rosie >Cover · Neil Diamond
- Hold Your Head Up,Cover · Argent
- Golgi Apparatus
¹ Trey sang verses through megaphone.
² Lyric changed to "Suck the deer shit from the side of this hole."
This show featured a visually spectacular Mule, which featured Trey playing guitar with his teeth and Page playing keyboards with his face and feet. Trey sang the verses of Fee through a megaphone. During Antelope, Trey substituted “Suck the deer shit from the side of this hole” for the “high gear of your soul” lyric. Possum included a Dave's Energy Guide tease. Weekapaug included a Divided Sky tease from Trey. Fish introduced Rosie as being about “a lonely man singing to his inflatable love doll.” Parts of this show were used in Mike Gordon’s 1997 short film Goodwood .
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- Mike's Song · Set 217:38
- Weekapaug Groove · Set 214:12
- Possum · Set 213:48
- Run Like an Antelope · Set 113:02
- The Squirming Coil · Set 211:56
- Scent of a Mule · Set 110:49
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’8912
- ’90–’948
- ’95–’002
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Covers5
- No studio album4
- Rift3
- Junta2
- Lawn Boy2
- Not in the song file yet2
- +3 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation1
- 3–513
- 6–155
- 16–503
Originals vs covers
Whose songbook tonight drew from.
- Phish original17
- Traditional2
- Argent1
- Eumir Deodato1
- Neil Diamond1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Cover5
- Anastasio / Marshall3
- Anastasio solo3
- Anastasio + friends2
- Full band2
- Gordon2
- +2 more
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- Without Marshall9
- With Tom Marshall6
4 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.