Snively Arena, University of New Hampshire
Durham, NH
- Caravan >Cover · Duke Ellington6:25
- Poor Heart,2:18
- Foam,Jamcharts10:07
- Fast Enough for You,6:01
- Magilla,Jamcharts4:03
- Julius,7:27
- Glide >4:13
- Divided Sky,14:06
- Cavern4:30
- Also Sprach Zarathustra >Cover · Strauss, as interpreted by Deodato3:48
- Maze,10:59
- Colonel Forbin's Ascent >12:03
- Fly Famous Mockingbird,Narration6:14
- Uncle Pen,Cover · Bill Monroe4:04
- Sample in a Jar,5:11
- Big Ball Jam,2:27
- You Enjoy Myself,Tease23:45
- Amazing Grace¹,A CappellaCover · Traditional1:43
- The Oh Kee Pa Ceremony >1:45
- Suzy Greenberg5:30
- PossumJamchartsTease11:03
¹ Without microphones.
“TREY: Before we go anywhere, we need to start from somewhere, before you can leave to go anywhere. So the way i start here, before we go anywhere, is basically from where everybody is standing here, the best thing to do, is just …”
As the trampolines were brought out for YEM, Trey announced that his understudy (Brad Sands) would stand in for him in the tramps routine. Brad took Trey’s place on the tramps; Trey sat in a chair during that segment of YEM, reading a newspaper. YEM also included Trey trading teases of Sunshine of Your Love with Page, who alternated with Sunshine of My Life teases. The YEM vocal jam was based on My Soul. Possum subsequently contained teases of Sunshine of Your Love. Amazing Grace was performed without microphones.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- You Enjoy Myself · Set 223:45
- Divided Sky · Set 114:06
- Colonel Forbin's Ascent · Set 212:03
- Possum · Encore11:03
- Maze · Set 210:59
- Foam · Set 110:07
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’899
- ’90–’9412
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Covers4
- No studio album4
- Not in the song file yet4
- Junta3
- A Picture of Nectar2
- Hoist2
- +1 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation6
- 3–56
- 6–158
- 16–501
Originals vs covers
Whose songbook tonight drew from.
- Phish original17
- Bill Monroe1
- Duke Ellington1
- Eumir Deodato1
- Traditional1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Anastasio / Marshall4
- Cover4
- Not in the song file yet4
- Anastasio + friends3
- Anastasio solo3
- Full band1
- +1 more
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- Without Marshall7
- With Tom Marshall6
7 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.