Jones Beach Amphitheater
Wantagh, NY
- Buried Alive >SBD2:05
- Rift >SBD6:03
- Caravan,SBDCover · Duke Ellington5:12
- Nellie Kane >SBDCover · Hot Rize2:44
- Maze,SBD10:15
- The Horse¹ >SBDAcousticAlt Rig2:09
- Silent in the Morning >SBD4:56
- Punch You in the Eye,SBD7:08
- Runaway Jim,SBD7:26
- It's Ice >SBD8:03
- Lawn Boy >SBD2:50
- CavernSBDTease4:26
- Also Sprach Zarathustra >SBDCover · Strauss, as interpreted by Deodato3:23
- Poor Heart >SBD2:18
- Run Like an Antelope,SBDJamchartsTease11:59
- Faht² ->SBDAcousticAlt Rig2:37
- My Friend, My Friend³,SBDAcousticAlt Rig7:08
- Uncle Pen,SBDCover · Bill Monroe4:01
- Big Ball Jam,SBD2:42
- You Enjoy Myself⁴ ->SBDUnfinished15:04
- Big Black Furry Creature from Mars,SBDTease3:57
- Chalk Dust Torture,SBDTease5:54
- Highway to HellSBDCover · AC/DC3:23
- Amazing Grace,SBDA CappellaCover · Traditional2:42
- Daniel Saw the StoneSBDCover · Traditional3:29
¹ Trey on acoustic guitar.
² Fish on acoustic guitar.
³ Beginning featured Trey on acoustic guitar.
⁴ No vocal jam.
The Horse and the beginning of My Friend featured Trey on acoustic guitar and Faht featured Fish on acoustic guitar. Trey teased Stairway to Heaven in Cavern. Page teased Gimme Some Lovin' in Antelope. There was no vocal jam in You Enjoy Myself. BBFCFM included a Flintstones theme tease and Chalk Dust contained a Crimes of the Mind jam. The soundcheck's Crimes of the Mind featured the Dude Of Life on vocals.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- You Enjoy Myself · Set 215:04
- Run Like an Antelope · Set 211:59
- Maze · Set 110:15
- It's Ice · Set 18:03
- Runaway Jim · Set 17:26
- Punch You in the Eye · Set 17:08
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’897
- ’90–’9418
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Covers7
- No studio album5
- Rift5
- Not in the song file yet4
- A Picture of Nectar2
- Junta1
- +1 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation9
- 3–512
- 6–154
Originals vs covers
Whose songbook tonight drew from.
- Phish original18
- Traditional2
- AC/DC1
- Bill Monroe1
- Duke Ellington1
- Eumir Deodato1
- +1 more
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Cover7
- Anastasio / Marshall6
- Not in the song file yet4
- Anastasio + friends3
- Anastasio solo3
- Full band1
- +1 more
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- With Tom Marshall8
- Without Marshall6
8 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.