Variety Arts Center
Los Angeles, CA
- The Oh Kee Pa Ceremony >SBD2:02
- Suzy Greenberg,SBD5:23
- Foam,SBD7:54
- Guelah Papyrus >SBD5:39
- Sparkle,SBD4:08
- Stash,SBD9:08
- Uncle Pen,SBD💬 BanterCover · Bill Monroe4:27
- Cavern,SBD4:50
- I Didn't Know,SBDA Cappella3:54
- All Things Reconsidered,SBD💬 Banter3:25
- Runaway JimSBD7:19
- Chalk Dust Torture,
- You Enjoy Myself¹,
- Reba,
- The Landlady >
- NICU >
- Cold as Ice >Cover · Foreigner
- Cracklin' Rosie >Cover · Neil Diamond
- Cold as Ice,Cover · Foreigner
- My Sweet One,
- Golgi Apparatus
- Memories²,A CappellaCover · Van Alstyne and Kahn
- Sweet Adeline²,A CappellaCover · Artie Shaw
- Rocky TopSBDCover · Osborne Brothers2:38
¹ Vocal jam centered on a "rolling" theme.
² Without microphones.
Uncle Pen was played, according to Trey, “with all due respect to Bill Monroe.” It was also explained at this show that All Things Reconsidered is a variation on National Public Radio’s All Things Considered . YEM included Groove Is in the Heart and Sunshine of Your Love teases and the vocal jam centered on a “rolling” theme, including the quote “Rolling on the River” from Proud Mary. YEM also included quotes from the theme to Rawhide . My Sweet One was announced by Trey as being written by the “third greatest songwriter of all time” while Fish took a bow of recognition. Memories and Sweet Adeline were performed without microphones. Widespread Panic opened.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- Stash · Set 19:08
- Foam · Set 17:54
- Runaway Jim · Set 17:19
- Guelah Papyrus · Set 15:39
- Suzy Greenberg · Set 15:23
- Cavern · Set 14:50
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’899
- ’90–’9414
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Covers6
- Not in the song file yet5
- A Picture of Nectar4
- Junta3
- No studio album2
- Hoist1
- +2 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation19
- 3–54
Originals vs covers
Whose songbook tonight drew from.
- Phish original17
- Barbershop standard1
- Bill Monroe1
- Foreigner1
- Neil Diamond1
- The Osborne Brothers1
- +1 more
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Cover6
- Anastasio / Marshall5
- Not in the song file yet5
- Anastasio + friends4
- Anastasio solo3
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- With Tom Marshall7
- Without Marshall5
8 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.