The Blue Note
Columbia, MO
- Wilson >5:30
- Divided Sky,12:20
- Glide,4:00
- Split Open and Melt,Tease7:54
- Rift,8:16
- Reba,11:22
- Take the 'A' Train >TeaseCover · Duke Ellington3:55
- Llama,4:52
- Colonel Forbin's Ascent >8:23
- Fly Famous Mockingbird >Narration6:16
- Run Like an Antelope9:06
- Mike's Song >
- I Am Hydrogen >
- Weekapaug Groove,
- Fee,
- Poor Heart,
- Stash,
- The Lizards,
- Cavern,
- Dinner and a Movie >
- My Friend, My Friend,
- My Sweet One¹,
- Cold as Ice >Cover · Foreigner
- Love You >Cover · Syd Barrett
- Cold as Ice,Cover · Foreigner
- Possum²
- Sweet Adeline³A CappellaCover · Artie Shaw1:43
¹ Started out much slower than normal; several subsequent tempo changes.
² Aw Fuck!, Oom Pa Pa signals and two Simpsons signals.
³ Without microphones.
“TREY: I can see by the bewildered looks on some of your faces that you don't know exactly what we're talking about in this song, and i'm going to tell you. Picture if you will right now that we are leaving this building, that …”
Trey teased Buried Alive in Melt and Dixie briefly in 'A' Train. The Mockingbird narration contained an explanation of Gamehendge. My Sweet One started out much slower than normal, gradually speeding up with several subsequent tempo changes. Possum had Aw Fuck!, Oom Pa Pa signals and two Simpsons signals. Sweet Adeline was performed without microphones.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- Divided Sky · Set 112:20
- Reba · Set 111:22
- Run Like an Antelope · Set 19:06
- Colonel Forbin's Ascent · Set 18:23
- Rift · Set 18:16
- Split Open and Melt · Set 17:54
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’8918
- ’90–’948
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- A Picture of Nectar4
- Covers4
- No studio album4
- Not in the song file yet4
- Junta3
- Lawn Boy3
- +2 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation7
- 3–516
- 6–153
Originals vs covers
Whose songbook tonight drew from.
- Phish original22
- Barbershop standard1
- Duke Ellington1
- Foreigner1
- Syd Barrett1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Anastasio + friends6
- Anastasio solo6
- Cover4
- Not in the song file yet4
- Anastasio / Marshall3
- Full band1
- +1 more
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- Without Marshall10
- With Tom Marshall8
5 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.