Great American Music Hall
San Francisco, CA
- Runaway Jim,SBDJamcharts7:28
- Foam,SBD💬 Banter8:54
- Paul and Silas,SBDCover · Josh White3:17
- Reba,SBD11:39
- Wilson >SBD5:08
- Llama,SBD4:01
- The Lizards,SBD10:25
- Sweet Adeline¹,SBDA CappellaCover · Artie Shaw1:50
- Run Like an AntelopeSBD10:12
- Brother,SBD💬 BanterJamcharts7:02
- Uncle Pen,SBDCover · Bill Monroe4:06
- Guelah Papyrus,SBD💬 Banter6:48
- Dinner and a Movie >SBD3:30
- Mike's Song >SBD6:49
- I Am Hydrogen >SBD2:44
- Weekapaug Groove,SBD6:16
- I Didn't Know,SBDA Cappella💬 Banter3:22
- Fee >SBD5:21
- Split Open and Melt,SBD7:35
- My Sweet One,SBD2:22
- CavernSBD4:34
- Sparkle >SBD4:06
- Walk AwaySBDBustout · 123-show gapCover · The James Gang4:23
- The Squirming CoilSBDTease7:28
¹ Without microphones.
Trey said he wrote Foam under Ernie Stires's wing and that Ernie taught him to write in that particular style. He dedicated Foam to Ernie's two children Ernie and Liz (both in attendance) and to Ernie as well. Adeline was performed without microphones. Brother was dedicated to Page's brother and Mike's brother (who were standing somewhere in the room), with Trey joking that it was "written to sort of describe their personalities... sort of a combination of the two." Guelah was introduced as a song "about a mother." He explained that this was about Dave's (Dave Abrahams's) mother, Guelah, who used to come in when he and Dave were writing songs and that when "things were getting fun," she would knock on and open the door and pull Dave out into the hall, hence the line "and through the bedroom door intrude a fretful frown and spoiled the mood. And though I never really stand that tall, she tilt my frame, she watched me fall." Fish was introduced during I Didn't Know as "Filling in for Showboat Gertrude... Zero Man!" Walk Away was played for the first time since October 20, 1990 (123 shows). Mo' Better Blues was teased prior to Squirming Coil.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- Reba · Set 111:39
- The Lizards · Set 110:25
- Run Like an Antelope · Set 110:12
- Foam · Set 18:54
- Split Open and Melt · Set 27:35
- Runaway Jim · Set 17:28
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’8914
- ’90–’9410
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Covers4
- Lawn Boy4
- Not in the song file yet4
- A Picture of Nectar3
- Junta3
- No studio album3
- +2 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation10
- 3–59
- 6–154
- 51+ · bustout1
Originals vs covers
Whose songbook tonight drew from.
- Phish original20
- Barbershop standard1
- Bill Monroe1
- James Gang1
- Josh White1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Anastasio + friends6
- Anastasio solo6
- Cover4
- Not in the song file yet4
- Anastasio / Marshall3
- Full band1
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- Without Marshall9
- With Tom Marshall7
6 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.