Somerville Theatre
Somerville, MA
- Bouncing Around the Room,
- Foam,
- Chalk Dust Torture,
- The Man Who Stepped Into Yesterday >
- Avenu Malkenu >Cover · Traditional
- The Man Who Stepped Into Yesterday >
- Divided Sky,
- Fee >
- Paul and Silas >Cover · Josh White
- Tweezer >
- The Lizards,
- Sweet Adeline¹Cover · Artie Shaw
- AC/DC Bag >SBD5:55
- The Curtain >SBD6:29
- The Sloth >SBD3:53
- The Landlady >SBD2:57
- Runaway Jim >SBDJamcharts6:49
- Tela >SBD6:38
- You Enjoy Myself,SBDJamcharts17:21
- Harpua² >SBDTeaseNarration13:12
- Tweezer RepriseSBD2:38
- Take the 'A' Train >SBDCover · Duke Ellington5:02
- Big Black Furry Creature from MarsSBDTease4:35
¹ Without microphones.
² Narration featured Jimmy watching Cam and the Bruins winning the Stanley Cup.
“TREY: A long time ago, and far, far away, there lived an evil, mangy mutt named Harpua. Well, Harpua and his owner, who was this evil guy born in the pine barrens and who had gone through a long ancestry with no forks, grew up …”
Chalk Dust Torture and Fee were dedicated to Trey's hero, Boston Bruins star Cam Neely. Tweezer included a Sweet Emotion tease and vocals. Sweet Adeline was performed without microphones. Harpua found Jimmy watching Cam and the Bruins winning the Stanley Cup and contained "Charge!" teases from Page. BBFCFM included a How High the Moon tease from Mike. The Aquarium Rescue Unit was the opening act.
It’s so stupendous, living in this tube
Bustouts and debuts are Phish.net’s gap on the row. Version rankings and “hot this year” are counted over the shows in THIS archive — not all of history until the backfill finishes — and lengths are phish.in’s timings. Rarities use Phish.net’s all-time play count; long odds are shows played since the song’s debut divided by its plays (see the rarity index on LizardStats).
- You Enjoy Myself · Set 217:21
- Harpua · Set 213:12
- Runaway Jim · Set 26:49
- Tela · Set 26:38
- The Curtain · Set 26:29
- AC/DC Bag · Set 25:55
Straight off the phish.in timings, longest first. What this can’t tell you yet is whether any of these is a big version — that needs each song’s own history to compare against, which is the next thing to pull in. After that: phish.in publishes a jam-start marker per track, so the composed section and the improvisation can be separated and measured properly. That’s what belongs in this tube.
When it debuted
Tonight’s songs by the era Phish first played them.
- ’83–’8914
- ’90–’948
Album representation
The studio home of each song, hand-curated. Covers are one slice.
- Covers4
- Junta4
- TMWSIY (Gamehendge)4
- A Picture of Nectar3
- No studio album3
- Not in the song file yet3
- +1 more
Gap since last played
Shows since each song’s previous appearance, per Phish.net. Far right is a bustout.
- 1–2 · rotation15
- 3–55
- 6–152
Originals vs covers
Whose songbook tonight drew from.
- Phish original18
- Barbershop standard1
- Duke Ellington1
- Josh White1
- Traditional1
Who wrote it
Originals by writing credit; covers sit in their own slice.
- Anastasio solo8
- Cover4
- Not in the song file yet3
- Anastasio / Marshall2
- Full band2
- Anastasio + friends1
- +1 more
The Marshall factor
Originals co-written with Tom Marshall vs the rest. Covers excluded.
- Without Marshall13
- With Tom Marshall2
5 songs not in the hand-curated file yet — counted where the data allows, named as unknown where it does not.